In utilising colours, I adopt a similar philosophy to my work with black and white pen and ink. The dynamic interplay of shades and lines in monochromatic art finds a vibrant counterpart in the use of colour.

In my colour works, I pay close attention to contrast and balance—as they allow for a visual symphony that can either soothe or stimulate the senses.

I approach each piece with an intuitive sense about the emotional weight of colours, exploring how they interact with one another and with the viewer’s perception.

Colours are not just visual elements; they are instruments that play on the strings of human emotion. Whether through tertiaries or bold primaries, the tenor of the artwork shifts, leading the audience through a narrative told in the visual language of colour.

Every colour addition is deliberate, echoing the precision of ink work, yet it dances with an energy all its own. The pen strokes may be fluid, the blending seamless, but each decision is as calculated as the placement of ink upon paper. The marriage of technique between the two mediums—pen and ink, and colour—is a testament to the adaptability and depth of visual art. It’s a continuous exploration of how far boundaries can be pushed and narratives spun out of nothing more than pigment and perception.